Morgan

Morgan 1
Black ink and colour pencil on photocopy paper.

Outside the window is sloping ground covered in bracken fern in the rain.

While the preceding pages have many images created in the Morgan period or after, they are all ideas that originate prior to the Morgan period (for the significance of the Morgan period see Preamble and Contents). While I had been drawing erotic images since my schooldays, I would destroy these afterwards for fear that someone would discover them. The Morgan period marks the beginning of retaining these images, and therefore of working on erotic images in earnest.



Morgan 1 (pencil)
Pencil on photocopy paper. An early erotic drawing.



Morgan 2
Pencil on photocopy paper.



Morgan 3
Colour pencil on photocopy paper.

Set in a sunny paddock near midday. In the background are trees on the edge of the paddock.



Morgan 4
Colour pencil and some gouache on photocopy paper.

Before closing her lips around the shaft, some droplets of semen escape from it and are seen here in mid-air. I did not intend that the semen would be yellow.



Morgan 5
Photocopy of a pencil drawing coloured in with colour pencil.



Morgan 5 (pencil)
Pencil on photocopy paper.

The original pencil drawing.



Morgan and The General 1
Photocopy of a pencil drawing coloured in with colour pencil.



Morgan and The General 2
Photocopy of a pencil drawing coloured in with colour pencil.



Morgan and The General 1 (pencil)
Pencil on photocopy paper. "The General" was what Morgan called the minotaur.



Morgan and The General 2 (pencil)
Pencil on photocopy paper.



Morgan and The General 3
Pencil on photocopy paper, and some black ink.

In Morgan's home on Smerfarvin. Minotaurs were native to Smerfarvin, but later spread to other worlds.



Morgan and The General 3a
Pencil on photocopy paper.

Detail of the room in Morgan and The General 3.



Morgan's fireplace
Pencil on photocopy paper.

The fireplace at Morgan's house.



The General Sleeping
Pencil on photocopy paper.



Minotaur 1
Pencil on photocopy paper.



Morgan's House 1
Pencil on photocopy paper.

On the way to Morgan's house.



Morgan's House 2
Pencil on photocopy paper.

Morgan's house on Smerfarvin.



At Morgan's Door
Pencil on photocopy paper.



Zulu and Morgan
Ball-point pen on photocopy paper.



Smerfarvin 1
Black ink and colour pencil on photocopy paper.

From foreground to background: Zulu, Morgan and Alej, on Smerfarvin. I have this picture framed and sitting on top of my filing cabinet at home like a family photo.



Smerfarvin 2
Black ink on photocopy paper.

After the arrival of the aliens, they set up a military base on Smerfarvin. After a while, tensions developed between the Smerfarvins and their alien guests, eventually developing into hostility. By the time Charlie Thorn arrived on Smerfarvin, Zulu, Alej and Morgan were fighting on the side of their adopted world.



Smerfarvin 3
Pencil and black ink on photocopy paper.

Zulu and Alej on Smerfarvin.



Minotaur 2
Pencil on photocopy paper.

Some people came to Smerfarvin just to meet a minotaur.



Minotaur 3
Pencil on photocopy paper.



Minotaur 4
Pencil on photocopy paper.



Minotaur 5
Pencil on photocopy paper.



Minotaurs
Pencil on photocopy paper.
(post Newanda period)

Minotaurs were invited to other worlds for various purposes.



Minotaurs 2 (detail)
Pencil on photocopy paper, colour by Photoshop.

This image, from a long time after the Morgan phase (post Newanda period), served for one of my first experiments with Photoshop.



Morgan and Jack
Pencil on photocopy paper.



Morgan
Black ink, colour pencil and some gouache on paper.

A fleetingly considered "Morgan" strip. Morgan is at the bottom-middle of the frame.



Copperhead
Black ink and colour pencil on photocopy paper.



Buffalo
Pencil on photocopy paper.



"Unh!" 1
Pencil on photocopy paper.



"Unh!" 2
Pencil on photocopy paper.

An aborted second draft of "Unh!" 1.



Fantasy
Pencil on photocopy paper.

With some Chris Achilleos influence.



Enchat And Regmose
Colour pencil on A2 cartridge paper.



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