Zulu and Newanda

Zulu and Newanda 1
Black ink and colour pencil on photocopy paper.



Zulu and Newanda 1 (pencil)
Pencil on photocopy paper.

The pencil original of Zulu and Newanda 1.



Bath
Ball-point pen on ruled paper.

Of all the drawings I've done over the course of my life to date, this is the one I like the most.



Newanda 1
Ball-point pen on ruled paper.



Zulu and Newanda 2
Ball-point pen on ruled paper.



Zulu and Newanda 3
Ball-point pen on ruled paper.



Zulu and Newanda 4
Ball-point pen on ruled paper.



Zulu and Newanda 5
Ball-point pen on ruled paper.



Zulu and Newanda 5a
Pencil on photocopy paper.

A pencil version of Zulu and Newanda 5.



Zulu and Newanda 6
Ball-point pen on ruled paper.



Zulu and Newanda 6a
Ink on photocopy paper.

An ink version of Zulu and Newanda 6.



Sleeping with arms
Ball-point pen on ruled paper.



Sleeping with arms (ink)
Black ink on photocopy paper.

An ink version of Sleeping with arms.



Fingers 1
Ball-point pen on ruled paper.



Fingers 1 (ink)
Ink on photocopy paper.

An ink version of Fingers 1.



Fingers 1 (pencil)
Pencil on photocopy paper.

A pencil version of Fingers 1.



Fingers 2
Ball-point pen on ruled paper.



Fingers 3
Ball-point pen on photocopy paper.



Fingers 4
Ink on photocopy paper.



Sleeping
Ball-point pen on ruled paper.



Zulu and Newanda 7
Ball-point pen on ruled paper.



Zulu and Newanda 8
Ball-point pen on photocopy paper.



Party
Ball-point pen on ruled paper.

Finding a dark corner at the party.



Fingers outside the cinema
Ball-point pen on ruled paper.



Zulu and Newanda 9
Ball-point pen on ruled paper.



Zulu and Newanda 10
Ball-point pen on ruled paper.



Zulu and Newanda 11
Ball-point pen on ruled paper.



Zulu and Newanda 12
Ball-point pen on ruled paper.



Face Fucking at the Disco
Ball-point pen on ruled paper.



Zulu and Newanda 13
Black ink on photocopy paper.



Zulu and Newanda 14
Black ink on photocopy paper.



Zulu and Newanda 15
Ball-point pen on ruled paper.



Zulu and Newanda 16
Ball-point pen on photocopy paper.



Zulu and Newanda 16a
Pencil on photocopy paper.

Design for a setting for Zulu and Newanda 16.



Zulu and Newanda 16b
Black ink on photocopy paper.

Partially inked version of Zulu and Newanda 16.



Zulu and Newanda 17
Ball-point pen on photocopy paper.



Zulu and Newanda 17a
Pencil on photocopy paper.

Pencil version of Zulu and Newanda 17.



Zulu and Newanda 18
Ball-point pen on ruled paper.



Zulu and Newanda 19
Pencil on photocopy paper.



Zulu and Newanda 20
Ball-point pen on ruled paper.



Zulu and Newanda 21
Pencil on photocopy paper.



Zulu and Newanda 22
Pencil on photocopy paper.



Happy Newanda
Pencil on photocopy paper.



Travel
Pencil on photocopy paper.



In the swamp
Pencil and photocopy paper.



An Angel and the rear end of a Horse
Pencil on photocopy paper.



Cranky Newanda
Pencil and acrylic on illustration board.



Zulu and Newanda 23
Black ink on photocopy paper.



Zulu and Newanda 24
Black ink on photocopy paper.



Zulu and Newanda 25
Black ink on photocopy paper.



Zulu and Newanda 26
Pencil on photocopy paper.



Zulu and Newanda go to work
Pencil and black ink on photocopy paper.



Newanda and the sex monster 1
Pencil and acrylic on illustration board.



Newanda and the sex monster 2b
Pencil and acrylic on illustration board.



Newanda and the sex monster 2a
Pencil on illustration board.

A moment before Newanda and the sex monster 2b.



Red Worm (pencil)
Pencil on photocopy paper.



The Red Worm
Black ink and colour pencil on photocopy paper (two sheets of A3).

The Red Worm was another product of the copes (see Hellfire 2 (Copes 1 to 7)), an autonomous AI manifesting physically anywhere in the world. Because of its frequent occurrence it had received some concerted study. The skin of the creature secreted a narcotic that primarily targeted the skin and genitalia. Seeping into the blood it crossed the blood-brain barrier, becoming psychoactive and working on the pleasure centres of the brain directly. The chemical compound had never been encountered before, but once discovered a lucrative black market developed. Seeping into the muscle tissue it was effectively able to take control of the body, flexing and relaxing the muscles of its … partner according to some agenda of its own. The Red Worm is frequently compared to a musician playing an instrument, where the human in its grip is the instrument. Its goal seems to be purely to cause pleasure.

The Red Worm is not a single AI, but rather a hierarchically arranged system of semi-independent AIs. So that individual arms and tendrils appear to have "a mind of its own", though subservient to the whole. Although referred to as "AIs" because of their technological origin, the creature itself is organic. It appears and disappears at will and unpredictably. It typically first appears as a tiny red worm, which over the course of a several seconds grows to full size, remaining for anywhere from several minutes to a few hours, then suddenly shrinking away again and disappearing. There is a subculture of people seeking to track, predict, control or reproduce the creature.

(The drawing was inspired by a scene from one of my favourite movies: "Galaxy of Terror" (1981), produced by Roger Corman, starring Edward Albert and Erin Moran. James Cameron was Production Designer and Second Unit Director.)



The Red Worm (detail 1)
Black ink and colour pencil on photocopy paper.

Detail of The Red Worm.



The Red Worm (detail 2)
Black ink and colour pencil on photocopy paper.

Detail of The Red Worm.



Sex Monster 1
Pencil on photocopy paper.



Sex Monster 2
Pencil on photocopy paper.



Sex Monster 3
Pencil on illustration board.

In a field of sparsely arranged, tall grass and bright sunshine.



Sex Monster 4
Pencil on photocopy paper.



Sex Monster 5
Black ink and colour pencil on photocopy paper.

An early sex monster drawing.



Cairnsa and Newanda 1
Black ink and colour pencil on photocopy paper.

At one point in the story, Elbeth and Milae split up while living on Owel, and at this time, Elbeth comes into contact with Cairnsa. It appears from this series of images that Newanda also had an encounter with Cairnsa. Here he is showing her around his underworld.



Cairnsa and Newanda 2
Black ink and colour pencil on photocopy paper.



Cairnsa and Newanda 3
Black ink and colour pencil on photocopy paper.



Cairnsa and Newanda 4
Black ink and colour pencil on photocopy paper.



Cairnsa and Newanda 5
Black ink and colour pencil on photocopy paper.



Cairnsa and Newanda 6
Black ink and colour pencil on photocopy paper.



Cairnsa and Newanda 7
Black ink and colour pencil on photocopy paper.



Cairnsa and Newanda 8
Black ink and colour pencil on photocopy paper.



Cairnsa and Newanda 9
Black ink and colour pencil on photocopy paper.



Cairnsa and Newanda 10
Black ink and colour pencil on photocopy paper.

Newanda has sex with one of Cairnsa's sex monsters. The creature was blind and genetically engineered to be perpetually horny. When it wasn't having sex it was frantic with frustration.



Cairnsa and Newanda 10a
Pencil on photocopy paper.

An updated design for Cairnsa's sex monster.



Angry Penis 1
Pencil on photocopy paper.



Angry Penis 2
Pencil on photocopy paper.



Angry Penis 3
Pencil on photocopy paper.



Gaia
Pencil on photocopy paper.



Zulu and an unidentified woman
Pencil on photocopy paper.



Girl with a Suitcase
Black ink and colour pencil on photocopy paper.



The Prince
Pencil on photocopy paper.



Iron Suit
Pencil on photocopy paper.

The woman is in a suit made of a single piece of solid molded iron. The only way into or out of the suit was by teleportation.



Stone Age
Black ink and colour pencil on photocopy paper.



Dropping the Balls
Pencil on photocopy paper.



Serpents
Pencil on photocopy paper.



Sleepy
Pencil on photocopy paper.



Gestalt Girl 1
Black ink and colour pencil on photocopy paper.



Gestalt Girl 2
Black ink and colour pencil on photocopy paper.

Gestalt girl's head was not in her head. It was out there in the world. The feelings of others she felt as her own. Shuddering applause rushed torrentially through pure and egoless, boundary-less, undefined and forceless being.



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